Experience an art exhibition like no other. Transcend time and space as you accompany Vincent van Gogh on a journey through Arles, Saint Rémy and Auvers-sur-Oise, where he created most of his timeless masterpieces.
Set to an evocative classical music score, a thrilling display of over 3,000 inspirational images transforms every surface – walls, columns, ceilings and even floors.
Adults and children alike will forge their own paths and find their own meaning as they wander through the galleries, exploring hidden nooks, viewing artworks from new angles and discovering unique perspectives.
6 April – 7 July 2019
Monday to Thursday: 10:00 – 21:00
Friday to Sunday and Public Holidays: 10:00 – 22:00
Caméra-stylo As Such, the solo exhibition by Hong Kong moving image and sound artist Anson Mak will be held from 4 to 30 May 2019. Supported by Hong Kong Arts Development Council, this exhibition will present two sets of new works: 𝘖𝘯𝘦 𝘗𝘭𝘢𝘤𝘦, 𝘛𝘸𝘰 𝘚𝘺𝘴𝘵𝘦𝘮𝘴, 𝘛𝘦𝘯 𝘠𝘦𝘢𝘳𝘴, a lens-based media installation explores Kwun Tongers everyday-life spatial practices and changes, as well as objects and landscape of the Kwun Tong Town Centre through photography and moving image; 𝘕𝘦𝘷𝘦𝘳 𝘊𝘳𝘰𝘴𝘴 𝘈 𝘙𝘪𝘷𝘦𝘳 𝘛𝘸𝘪𝘤𝘦, a single channel film explores the notion of disappearance, memory, and ways of seeing. A series of outdoor screenings and artist talks will be holding during the exhibition period.
► 𝘖𝘯𝘦 𝘗𝘭𝘢𝘤𝘦, 𝘛𝘸𝘰 𝘚𝘺𝘴𝘵𝘦𝘮𝘴, 𝘛𝘦𝘯 𝘠𝘦𝘢𝘳𝘴 Exhibition
4 – 30.5.2019
Opening hours｜Mon – Sun, 1200 – 1900
Location｜Videotage (Unit 13, Cattle Depot Artist Village)
► Opening ceremony with 𝘕𝘦𝘷𝘦𝘳 𝘊𝘳𝘰𝘴𝘴 𝘈 𝘙𝘪𝘷𝘦𝘳 𝘛𝘸𝘪𝘤𝘦 Outdoor premiere screening
4.5.2019 (Sat) 1800
Location｜Cattle Depot Artist Village
► 𝘕𝘦𝘷𝘦𝘳 𝘊𝘳𝘰𝘴𝘴 𝘈 𝘙𝘪𝘷𝘦𝘳 𝘛𝘸𝘪𝘤𝘦 Outdoor screening with artist talk
11.5.2019 (Sat) 1930｜Speaker: Anson Mak, Phoebe Wong
25.5.2019 (Sat) 1930｜Speaker: Anson Mak
Location｜Open Space, Cattle Depot Artist Village
► more details: bit.ly/Caméra-stylo
*Free admission and seating
*𝘕𝘦𝘷𝘦𝘳 𝘊𝘳𝘰𝘴𝘴 𝘈 𝘙𝘪𝘷𝘦𝘳 𝘛𝘸𝘪𝘤𝘦 Duration｜45 mins
Young Master Invitational Beer Festival is returning for its second year. This year Young Master is making it meaningfully bigger: more than 160 different beers brewed by 21 highest rated breweries from Australia, New Zealand, Denmark, USA, UK, Russia, Vietnam, Estonia, Japan, South Korea, Beijing, Taiwan and Hong Kong will be poured by brewers or brewery representatives during 4 beer-style themed sessions at the festival.
Date & Time: Saturday & Sunday May 25-26, 2019
Festival Location: House 1881, 2A Canton Road, Tsim Sha Tsui
Session One: HOPPYS Saturday May 25, 1pm-4pm
Session Two: SESSION&STRENGTH Saturday May 25, 5pm-8pm
Session Three: SOURS Sunday May 26, 1pm-4pm
Session Four: FREESTYLE Sunday May 26, 5pm-8pm
Session tickets include unlimited pours of 180 minutes: $380
Saturday Pass include session one and two: $650
Sunday Pass include session three and four: $650
2 Day Pass include all sessions: $1100
18 or above are allowed to consume alcohol only. Terms & Conditions: https://youngmasterales.com/pages/festival-terms-conditions
A group of local and ethnic minority youth have undergone cultural touring training in BGCA CLAP Centre. After the completion of the training, they hope to serve the community and use the skills acquired in the training by providing a free tour. Tourists & foreigners in Hong Kong are welcomed to join and explore this city with them! After the tour, comments collected from you will be highly appreciated for them to further enhance their skills!
Cost: Free of charge (the tasting of local cuisine is self-financed)
Meeting Point/Time: Inside Yau Ma Tei Station- Exit C 5:45p.m
Dismiss Point/Time: Yau Ma Tei Station 9:00p.m
Sights: Kaikee Mahjong, Old-style Karaoke Bar, Tin Hau Temple, Fortune Telling Stores, Yau Ma Tei Car Park, Local Cuisine & Yau Ma Tei Wholesale Fruit Market
Contact: Stella (5548-0462), Vincent (5548-3205), Fanny (5548-3595)
Organization: CLAP for Youth @ JC, BGCA Career and Life Adventure Planning Service Team (Kowloon East)
Single channel moving image, HD, Color + B&W, Stereo, 45′
Original Format: HD/4K Digital Video, Super 8 Film, B&W Film Photography
This work explores the notion of disappearance, memory, and ways of seeing. Footage taken in India in January 2019 is juxtaposed with footage and photographs taken in Yue Man Square, Kwun Tong (Hong Kong) at 2019 and ten years ago. The essay film looks into the phenomenon of disappearance as representation through lens-based media in which, we examine the ways to connect; reflect on ingrained thoughts, and revisit emotions. We see ourselves through (and the awareness of) sound and image as representation of actuality, going back and forth between the states of loss and rediscovery. When a river, a busy town centre, or even the boundary of the rule of law could disappear altogether, perhaps, it is the best time to look at our own mind more clearly.